Note per un’archeologia delle pratiche Drag King di Luca Greco* Università di Paris III – Sorbonne Nouvelle "When I perform Mo B. Dick on-stage, I have to be very conscious of my movements. Usually I move around a lot, but as a man I am much more rigid, and I hold my body a certain way, and it’s much stiffer in the torso, and there’s no wiggle in the hips…whereas the drag queen expands and becomes flamboyan ...